Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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Diego Velazquez Portrait of Sebastian de Morra oil painting


Portrait of Sebastian de Morra
1645(1645) Medium oil on canvas Dimensions 106,5 X 82,5 cm cyf
Painting ID::  96285 		Diego Velazquez
Portrait of Sebastian de Morra
1645(1645) Medium oil on canvas Dimensions 106,5 X 82,5 cm cyf
   
   
     
Diego Velazquez Mars oil painting


Mars
1640 Medium oil on canvas cyf
Painting ID::  96802 		Diego Velazquez
Mars
1640 Medium oil on canvas cyf
   
   
     
Diego Velazquez Josephs bloody coat brought to Jacob oil painting


Josephs bloody coat brought to Jacob
1630(1630) Medium oil on canvas Dimensions 223 X 250 cm cyf
Painting ID::  97077 		Diego Velazquez
Josephs bloody coat brought to Jacob
1630(1630) Medium oil on canvas Dimensions 223 X 250 cm cyf
   
   
     
Diego Velazquez Self portrait oil painting


Self portrait
1640(1640) Medium oil on canvas Dimensions 45 x 38 cm cyf
Painting ID::  98250 		Diego Velazquez
Self portrait
1640(1640) Medium oil on canvas Dimensions 45 x 38 cm cyf
   
   
     
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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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